Artist and filmmaker Nicolas Provost explores the quirks of human expectation by appropriating and manipulating time, codes and form, cinematographic and narrative language that are ingrained in our collective memory. His work reflects on the grammar of cinema, the human condition in our collective film memory and the relation between visual art and the cinematic experience. Nicolas’ films provoke both recognition and alienation, and succeed in catching our expectation in an unraveling game of mystery and abstraction, and will probably change a part of ourselves.