Through deft craftmanship, artist Lindsey Mendick moves through body horror and sincere autobiography. Working with ceramics, she creates immersive installations, that blends gothic literature, B-movie horror films and the cosmology of her personal life. Speaking on issues as diverse as mental health, polycystic ovary syndrome, sex and falling in love, Lindsey finds universality in the particular. You might have seen Lindsey in her new gallery called Quench in the seaside English town Margate. Read the words of Lindsey on vampiric love and destructive desire reported by Natasha Hoare in Extra Extra n°18.